Diyar e dil
Roohi and Behroze enjoy every moment together even in poverty and alienation while Arjumand and Suhaib live in silent misery despite basking in familial approval. Most of these episodes have highlighted the differences between a marriage based on mutual respect and love as opposed to marriage forced on two people by society. Review: 'Diyar-e-Dil' opens with a bang and is a visual treatĪlthough Behroze and Roohi try to make peace with their families they are disowned and cast out, till Roohi’s brother Tajamul (Behroze Sabzwari) sees the pain and misery his sister suffers after losing her first child and allows them back into his life. Photo courtesy Diyar-e-Dil Facebook page.Īgainst their wishes, Arjumand and Behroze’s younger brother Suhaib are then blackmailed into marriage by Bakhtiyar Khan to protect so-called family honour but in reality as a tribute to the elderly patriarch’s powerful ego. Some strong performances from its talented cast under director Haseeb Hassan’s adept guidance amalgamated with writer Farhat Ishtiaq's well-planned script make it a compelling watch.īehroze Khan (Mikaal Zulfiqar), spoiled son of the incredibly wealthy Bakhtiyar Khan (Abid Ali) shocks his family by breaking off a childhood engagement to his cousin Arjumand (Hareem Farooq) so he can marry Roohina Roohi, a girl he met in college. The bond between two brothers is also portrayed as being unbreakable in both older and younger generations. The story, deeply-rooted in family ties captures the rift between father and son beautifully, that despite the anger and bitterness neither can forget how much they love each other.
Six episodes down and Diyar-e-Dil is not losing any momentum.